Monday, 1 August 2016

Passers by Blackpool

Park yourself in one spot with the sky as a dramatic backdrop and just watch the people walk into the canvas.

Saturday, 3 October 2015

Exhibition confirmed

Hi, since my last post Jan at the Birnam Institute approached me to discuss my latest work.  They would like to exhibit Autism: Hearts of Angels, Behaviour of Devils (Sometimes) for the month of March 2016 and I am really delighted about it.

I'm taking a more conceptual approach to my work, as planned, but I try to work in the 'Accessible Conceptual'.  As I've said before the world continues to be flooded by images and so it's necessary first to gain attention and once the viewer is engaged to present a simple concept. I want the audience to 'get' what I'm trying to say.  For the record I also see value in conceptual art work, which is more open to interpretation, but for what I am trying to do, I need to engage first and then educate if I am to chip away at the stigma around disability.

For the #AutismHearts project I'm using light boxes.  The first one which I had made as a test looks striking.  I now need to fund the manufacture of 14 more but I'll come back to that.  Of course a two dimensional image cannot hope to capture how wonderful it is in the flesh but you'll get the idea.

Its A3 in size, fitted with a DuraTrans image and illuminated by LED's. You'll notice the remote control which allows the viewer to adjust the brightness of the light box. The conceptual bit of this then is that we as a society can have a direct effect, positive and negative on others. This being represented by the light being adjustable.  Each piece will be presented on a plinth rather than hanging on a wall.

Tasos made eye contact with me for the first time

The individual piece above has also been submitted to the Shape Open Disability Arts Exhibition to the theme of 'My Life'.

I have also had several discussions with the BBC who plan to feature a gallery of the work on their website.

As I mentioned earlier I now need to source funding for the exhibition.  Local sources are not open to me as an individual and so one option could be crowd funding through Kickstarter.  I'm pretty nervous about it as I'm worried I'll miss my fund raising goal.  The Light Boxes are around £200 each and so cost around £3000 in total.  I need to order them within a month if we are to meet our March deadline for the exhibition. I'm working on the Kickstarter page for release shortly and would be grateful for your support in contributing and spreading the word. If you haven't seen Kickstarter there will be a number of 'rewards' depending on the level of contribution. I'm planning to offer the actual Light Boxes themselves as one of the rewards.

I am very hopeful that once bought there will be other exhibition opportunities.  6% was very successful as it toured Scotland. I'm hoping this time we can go further afield and I'm also expecting that some of the images will be exhibited in Athens next year.

Monday, 3 August 2015

Autism: Hearts of Angels, Behaviour of Devils (Sometimes)

The quote above and the title of my latest work was taken directly from a conversation I had with Sophia, mother to a grown up son affected by severe autism.  I was sitting interviewing and photographing her with Thanassis, President of GSPAP, Greek Society for the Protection of Autistic people in the main square in Athens at the beginning of a what was to become a remarkable week in June.

Sophia talks about the impact of the financial crisis on GSPAP
I'm part of M55 a photo collective made up of former MA graduates of LCC in Documentary Photography and Photojournalism and I'd been invited to spend time in Greece focussing on an aspect of the financial crisis.

Thanassis, President of GSPAP in his Athens office
Given that almost all my work focusses on challenging stigma it was important I work with the disabled, making the assumption that those who were less able to care for themselves would be affected more.  In the true traditions of photojournalism I tried to park that view and wait to see what the situation was really like.

It was around nine months in the planning as it proved understandably difficult to gain access to public institutions looking at one point that I'd need to cancel my trip. It was then that Christina Vazou, a photographer, who is also part of M55 and who lives in Greece, made a connection with GSPAP and I was able to speak with Sophia, a former board member, by telephone who helped me to liaise with the society and receive official approval to take photographs and publish the work.

The charity have two centres in Greece. One, the only full time residency for those with Autism is located in a place called Zitsa and so after settling into the apartment in Athens I packed for my 1 hour flight to Ioannina early on Tuesday. Packing critical as I was carrying a lot of camera gear which had to travel in the cabin with me.

I'd been given permission to live in the house and take photographs over three days and was collected from the airport by the dynamic Margarita who took me first to a therapeutic riding centre where the 'children' were enjoying their weekly visit.

Wonderful light in the Therapeutic riding centre at Ionannina
It's estimated there are 100,000 people affected by Autism in Greece and yet only one specialist residency accommodating 12 people exists. The intention in the beginning was that residents would stay for a defined period and return to the community but most have actually lived there for 12 years.

The house is been supported by additional funding from the European Community which is due to run out at the end of the year.  While I was there it was unclear if the funding would be continued and staff had been unpaid for two months.  Two years previously they had gone unpaid for six months.  Both situations a consequence of the crisis and delayed arrival of government funds.

The 'family' - Margarita is fifth from the right
I found my first day in the house a little frightening and unfamiliar but only because it was an unusual situation for me.  Occasionally the bird song and tranquility of the countryside would be interrupted by murmuring or shouting. I recorded some sound as well for incorporation into the exhibition of the work to take place at a later date.  By day two I became totally immersed in my time there and understood the routine of the house with a combination of activities followed by relaxation in the sensory room.

At one point one of the children ran crying to me and held me tight - as I patted his back and reassured him I was aware of two of the educators standing either side of me and ready to intervene if necessary. They told me afterwards that this was a sign of my acceptance.

The 'children' go home for one day a week and I was able to travel in the minibus with two of them to witness and photograph the reunion.

Giorgos is reunited with his father
I understand very well why GSPAP have the ambition to create more centres like these.  The level of care was at the highest level and the staff put heart and soul into the work.  This level of caring was in direct contrast to the image of Greece being presented in the press.  These were not lazy people, but highly committed, loving and dedicated individuals who would continue to work day and night to ensure that their charges received the best of attention. And thats despite not being paid.

Dimitris who is also deaf and blind reacts to being touched 
I returned to Athens Thursday and spent Friday morning at GSPAP's day centre in Athens switching to black and white photography where I am more comfortable.  With a trip to the beach arranged I was the only person happy to see rain clouds gathering as it made for a more dramatic sky and better light.

Villy was one of the educators at Sirius who also had a passion for the visual arts.  She wrote the script for a short film, The Routine, about Autism which deals beautifully with the challenges of the condition.  I'm hoping the full film, which I've been privileged to see is shown more broadly soon. Here is a clip

The routine (Clip)

Very challenging to make a movie about a routine interesting for the audience and Villy and the team have done it beautifully.

On the beach near Athens
I left Greece inspired by the people I'd met and convinced again that I must continue to do the work I do. The team in Zitsa led by Margarita have left a life long impression on me and I've promised to return to collect the T shirt that I left behind. Margarita tells me that the Greeks would see it as fate that I left one of my belongings behind.  It means 'I will return'.

Regarding the work - the pictures you see here are designed to give you a feel for the time I spent in Greece and I now have an additional 50 images pre selected for exhibition.  I have limited connections with the press and have been unsuccessful so far in getting the work published.  Thats a great shame given that what I have seen provides balance to the overall negative coverage I've seen in the press. It is however planned that a group exhibition take place next year in Greece.

Linka another of the M55 photographers has agreed to take one of the images and create a lightbox which will be stunning.  When I receive it I'll then try a 'Kickstarter' to raise funds for 15 to 20 more. I hope by then to have a number of venues arranged and hope to reach out to the National Autistic Society to gauge interest in supporting the exhibition.

Watch this space for an image of the lightbox and more information as the project moves forward.

Sunday, 26 January 2014

Jenny on her 98th birthday Burns Supper Fuji X Pro1

I'm not one for carrying a camera all the time but last year bought a Fuji X Pro 1 so that I had something that was compact without sacrificing quality. The mirror-less set up has taken a bit of getting used to but I feel I'm getting there now.  Took the camera to a small restaurant in Perth last night for the Burns Supper and made a school boy error in not taking spare batteries for the flash.  My excuse is I thought we'd take a snap with our friends, and that would be it, but as the evening went on a photo opportunity emerged that I couldn't ignore and being without flash I ended up using the X Pro1 at ISO 6400 and trying where I could to lean against walls to remove the risk of camera shake.

Jenny, 98, was there with her family celebrating her 98th birthday and the restaurant staff, who know her as a regular, were clearly besotted with her.  She'd asked for someone to sing 'My love is like a red red rose' by Burns and the girls unable to remember the words decided to Google it.

I like the photos for the warmth and happiness that they show.  Look closely and you'll see the mobile phone, in addition to providing the lyrics, did a rather nice job of lighting Jenny's face.  The camera also coped very well in the low light and I'll not hesitate to use it again in similar situations although next time it will be through choice...

Its the Fuji 60mm f2.4 lens with minimal sharpening applied and the cropped in Adobe Lightroom.

Saturday, 17 August 2013

New photo from the 'VoF' series

I'm really enjoying 'VoF' and stretching myself by telling a story through association and 'inanimate' objects.  Its also having an impact on my other work around celebrity and I think has helped me move that project, as yet unnamed, on conceptually.

Still always wanting my work to be 'accessible conceptual' (My words).  I want people to have to think to understand what I'm trying to say, to get what I am trying to say and then have the luxury of making their own conclusions after that.  I have a real confidence that by taking this approach the work will not only be more interesting but it will both engage and challenge stigma in a more effective way.

I'm using 'VoF' to really nail down my Indesign skills and I am hoping that I can find a youth culture magazine which will be a good fit for the article. If anyone knows what that mag should be please drop me a line? Thanks :-)  As encouraged by my good friend David McKenna I am writing more but always hope my photographs speak loudest.

This week great as some wonderful contacts made which I hope will really help me work with some of those who have a story that the we need to see. Really looking forward to working again with the Lally family on the 'Nightshift' and possibilities emerging to exhibit 'Six percent' in Prague next year.

Ordering the image for Shape Open 2013 at the Nunnery Gallery in London in October.  Really pleased to hear it will tour. The printer tells me he has a new machine since we did the Walled Garden project and that the results will be even better.  At 1.5m by 1.0 metre and printed on metal I am continuing the theme of challenging celebrity in creating a poster sized image. Just then need to work out how to get it to London?!

This image from 'VoF' is of a crumpled 5 euro note which had fallen from the pocket of a nightclubber.

Copyright as always applies to images, concepts, words. Copyright is claimed for Vestiges of Freedom and VoF.

Saturday, 27 July 2013

Photographs of garbage as evidence of the last vestiges of freedom

It’s 6.10 am in Laganas, Zante and I’m wandering the streets trying to beat the brushes and dustpans as I gather ‘evidence of the last vestiges of freedom’. 

Now and again there is the pounding of on-going seismic activity as I walk past the doors of a nightclub and more youngsters stroll out into the street.  Sure some of them are ‘out of their box’ on drink but most are just happy and tired. What strikes me the most is the atmosphere; an inseparable blend of happiness, carefree abandon and camaraderie.   It’s an alien environment to me but I’m trying to see through the stigma created by an approaching middle aged, and stubbornly middle class press, who want to put us all in boxes and never let us out. They define the parameters of our conforming.  They ultimately steal our freedom by telling us what is right and what is wrong.  Every few days they tell us that what happens in the nightclubs of Laganas or Ibiza is both wrong and very ugly. This is life living on the edge, its not without risks but it’s a choice.

There’s a state of the art ambulance at the side of the street and a fella is being lifted on to a stretcher.  Six or eight others stand in a line beside him concerned. Their making sure that he is ok or as ok as he can be.  And just at that moment the stigma of what we are all told threatens to leak in and blind me from seeing what this really represents.  I could be thinking this is disgusting, stupid and dangerous behaviour, but I’m not.  I’m watching a group of people who are experiencing unhindered freedom for what is possibly the last time. And more specifically I’m thinking how to share what I am thinking and seeing through photographs and words.

To challenge stigma is to see differently.

It won’t be long before all the debris from a night of partying is removed and so I’m collecting whistles, empty soda syphon gas canisters and a crumpled five euro note that’s fallen from a pocket. I reach behind the legs of a local man, who is working on his push bike to pick up a single dusty white carnation wrapped in cellophane, tied up with a ribbon, from the street.  He looks at me as if to say ‘what the….” as I drop it into my carrier bag.  Again stigma attempts to flood in.  ‘Hang on your collecting garbage what will people think’?  I quickly realise, just like the transient population of Laganas, I don’t care what people think right now.  I have something important to say.

Back at the hotel I construct a light cube so that I can photograph each object as a still life.  Removed from the scene I can highlight what these items really represent.  As I sit on the balcony at the hotel, with my camera, it seems important that they should be lit, not by artificial flash but by the islands sunlight, the world’s sunlight.  Away from the street and on a pedestal each of the objects starts to reveal their importance and beauty. Yes it’s garbage and later I’ll be throwing it away but …

An extract from a project entitled ‘Photographs of garbage as evidence of the last vestiges of freedom’.  All content including images, writing and concept are copyright Graham Miller and must NOT be reproduced or adapted in whole or in part without express prior and written permission.  

Copyright will be vigorously protected.  

If you are interested in publishing the final article please contact me at  

Saturday, 30 March 2013

Six Percent on sale at Summerhall and the hidden embossing

It was a strange day today - went back to the gallery for the first time since the opening.  Wanted to spend some time there without people around and taking in the exhibition, curated by Antonia Laurence-Allen properly and to read the comments in the visitors book.

There had been some confusion and there were no books in the gallery shop but there are now and it didn't look out of place.  Time will tell if its something that people will want to own and take home with them.

I don't think many people have looked under the dust cover yet ;-)  Leon the printer is very proud about the blind embossing of the photohonesty logo that they did. He prefers it without the dust cover eh ?

I'll be working on a some new extracts for the flipbook on the Photohonesty website as the current version is too light as it was derived from the print file (usually lighter).

Need to put together an image selection for Harry Hardie who is curating the MA show in London in May with my fellow graduates.  Called 'Not Seeing Nothing' I'm really looking forward to participating and hoping that the new friends I have made through Six Percent will be able to come along to the show and meet me.

Been trying to work out if I should try to make Six Percent available on Amazon.  The cost is high as they take a big margin but in terms of spreading the word this could be good thing.  If you feel having the book on Amazon would be a good thing let me know?  It's already on there but no available as I haven't set up an account.

Appears on Amazon as unavailable

Ross has been looking into it - some further thought required.

Here are a few photographs by way of enticing you to come along.

Some of the images in the gallery

Photos of Ruby and Darby - intro by Antonia Laurence-Allen